Mírkhwánd's voluminous general history, the Rawḍatu'ṣ-
Of Mírkhwánd's life not much is recorded, even by his admiring grandson Khwándamír, the author of the Ḥabíbu's-
Biography of Mírkhwánd Siyar. His father Sayyid Burhánu'd-Dín, a native of Bukhárá, migrated to Balkh, where he died. Mírkhwánd spent most of his life at Herát under the protection and patronage of that Maecenas of the age Mír 'Alí Shír Nawá'í, and died there, after a long illness, on the 2nd of Dhu'l-Qa'da, 903 (June 22, 1498) at Contents of the Rawḍatu'ṣṢafá the age of sixty-six. * Of the seven books into which the historical part of the Rawḍatu'ṣ-Ṣafá is divided, the first contains the history of the patriarchs, prophets, and pre-Muhammadan kings of Persia; the second, that of the Prophet Muḥammad and the Four Orthodox Caliphs; the third, that of the Twelve Imáms and the Umayyad and 'Abbásid Caliphs; the fourth, that of the post-Muhammadan dynasties of Persia down to the irruption of Tímúr; the fifth, that of the Mongols and Tartars down to Tímúr; the sixth, that of Tímúr and his successors to 873/1468-9; while the seventh, which has been continued by another hand (probably the author's grandson Khwándamír) to a period several years later than Mírkh-“The combination of dignity and fatuity which this style affords is unrivalled. There is something contagious in its ineffable compla- Sir Charles Eliot on the natural inclination of the Turks to the grand style cency, unruffled by the most palpable facts. Everything is sublime, everybody magnanimous and prosperous. We move among the cardinal virtues and their appropriate rewards (may God increase them!), and, secure in the shadow of the ever-victorious Caliph, are only dimly conscious of the existence of tributary European powers and ungrateful Christian subjects. Can any Western poet transport his readers into a more enchanted land?”
One is much tempted to include amongst the historians
of this epoch Mírkhwánd's grandson Khwándamír, on the
Khwándamír
threefold ground that he also was one of the
many writers and artists who owed his success
in large measure to the enlightened patronage of Mír 'Alí
Shír Nawá'í; that he belonged not merely to the same
circle as Mírkhwánd, but was his disciple as well as his
grandson; and lastly, that his first work, the Khuláṣatu'l-