One other Persian poet who wrote in Arabic, viz., Mihyár
ad-Daylamí,
*
deserves mention because of the interesting fact
Mihyár the
Daylamí.
that he was born and brought up in the Zoroastrian
religion, from which he was converted to
Islám in A.D. 1003, by another poet, the Sharíf
ar-Raḍí, who for many years before his death (in A.D. 1015-16)
held the high position of Naqíbu'l-'Alawiyyín, or Dean
of the descendants of 'Alí, at Baghdád. The example of
Mihyár shows us how considerable a hold Zoroastrianism still
had in the Caspian provinces, how readily it was tolerated, and
how fully its representatives were permitted to share in the
science and culture of which Arabic was the medium of
expression. This appears in the frequency of the nisba
“al-Majúsí” (“the Magian”), in works like the Dumyatu'l-
To the period immediately preceding that which we are
now discussing belong that great work the Fihrist (composed
about A.D. 988) and the Mafatíḥu'l-'Ulúm (composed about
A.D. 976), of both of which the contents were pretty fully
analysed in the Prolegomena. Of local histories also several
important monographs deserve mention, e.g., the History of
Bukhárá by Narshakhí (composed about A.D. 942), the History
of Qum (composed for the Ṣáḥib Isma'íl b. 'Abbád about A.D.
989), and the Histories of Iṣfahán and Ṭabaristán, composed
respectively by al-Máfarrúkhí and al-Yazdádí, all of which
were composed originally in Arabic, but are now known to us
only in Persian translations. Another Arabic-writing Persian,
of whose works too little has survived, was the historian 'Alí
b. Miskawayhi, who died in A.D. 1029. Al-'Utbí's monograph
on Sulṭán Maḥmúd (which is only carried down to A.D.
1018, though the author lived till A.D. 1035-36) has been
already mentioned repeatedly, as well as the numerous works
of Abú Manṣúr ath-Tha'álibí, the author of the Yatímatu'd-
We must now pass to the great Persian poets from whom the literature of this period, and in particular the Court of Ghazna, derived such lustre. Of these Firdawsí, who successfully accomplished the great work begun by Daqíqí (d. A.D. 975), and embodied for all time in immortal verse the The great Persian poets of this period. legendary history of his country, ranks not only as the greatest poet of his age, but as one of the greatest poets of all ages, so that, as a wellknown Persian verse has it:—
“The sphere poetic hath its prophets three,
(Although ‘There is no Prophet after me’) *
Firdawsí in the epic, in the ode,
Sa'dí, and in qaṣída Anwarí.”
After him come the panegyrists and qaṣída-writers 'Unṣurí
(Sulṭán Maḥmúd's poet-laureate), Asadí (Firdawsí's friend and
fellow-townsman and the inventor of the munádhara, or
“strife-poem”), 'Asjadí, Farrukhí of Sístán, and the somewhat
later Minúchihrí, with a host of less celebrated poets, like
Bahrámí (who also composed a work on Prosody, the Khujista-
Before speaking of Sulṭán Maḥmúd's poets, however, it should be mentioned that he himself is said to have been something of a poet, and stands second, after a brief notice of the unfortunate Isma'íl b. Núḥ, the last Sámánid, in 'Awfí's Lubáb amongst the kings and princes who wrote incidental verse. Ethé (op. cit., p. 224) says that six ghazals are (on doubtful authority, as he thinks) ascribed to him. 'Awfí cites two short fragments only, of which the first, containing but three verses, is a little elegy on the death of a girl named Gulistán (“Rose-garden”), to whom he was attached. The following is a translation of it:—
“Since thou, O Moon, beneath the dust dost lie,
The dust in worth is raised above the sky.
My heart rebels. ‘Be patient, Heart,’ I cry;
‘An All-just Lord doth rule our destiny.
Earthy and of the earth is man: 'tis plain
What springs from dust to dust must turn again.’”